Leonardo da Vincis The Last Supper Essays -- Art Painting Religion Es

da Vincis stomach Supper is a priceless piece of art with much hidden inwardness and obvious talents bestowed upon a wall. Under the study of Verrocchio as a cougar and a sculptor, he was able to use his skills in creating a genuinely detailed and a very naturalistic piece of work that would be remembered for hundreds of years. He was also able to create personalitys with amazing individuality. Not single was his portrayal of the characters magnificent, but the symbolism he used which emphasized the invoice being told in the Last Supper. Lodovico Sforza chose Leonardo to create The Last Supper in the refectory of the Dominican Church of S. Maria delle Grazie in Milan. The Abate of the S. Maria delle Grazie truism Leonardo work from morning until night on The Last Supper without eating. Although, thither were times he would stop photograph for twenty-four hour periods at a time or, he would work on a specific character for just a few moments and then leave to continue opera tive on it later. He worked on it from 1495 thru 1498 (Strauss, 27). Before Leonardo began painting the tangible portrait, he put down a substance which was suppose to truckle the tempora and protect the tempora from the moisture on the wall. Unfortunately, the substance was proved unsuccessful, and by 1517 it began to deteriorate. In May 1556 a painter Giovanni Batista Armenini said that the painting was so sternly affected that nothing is visible but a mass of blots(Heydenreich, 18). The painting has continued to decay in the following centuries. It was further damaged by restorations made by c arless artists and by the addition of a ingress put in the lower part of the painting. Yet even to this day his painting The Last Supper is widely known and visited by many tourists for each one year. ... ...ical movement and mental emotion by the pause between devil great emotions which are the momentarily stiffening at an extreme localise of excitement and at the horror of being s tartled out of ataraxis (Heydenreich, 67). The painting portrays both expression and emotion. This combination complements each other. The expressions allow the viewing audience to see the emotions the characters are feeling. Their frozen movement allows one to see they are human. We can see both their outward and inward reactions. It is as if Leonardo had been there, and he had taken a picture of the marvelous meal. He decidedly accomplished his goal in portraying his Last Supper as a realistic piece of art. The symbolism, the individualized personalities of the characters, and the skills such as the light prospect and spacial perspective blended together to form a photograph-like painting.